As part of finding the right tone and context for my punk history of 1977, I redacted a copy of The Rebel by Albert Camus (Vintage Books, 1956, 306 pp.), working on the project between 2014.07.01-2017.11.24. Many themes emerged aligned with the punk attitude of the 1970s as well as my later interest in anti-narrative and history (like the page above).
1977 is here! It’s my new book, a collage of poems and charts and maps that re-creates the feeling I had when I first heard punk music.
You can be first to have a copy by heading over the Ravenna Press and buy online here. Or …
Those of you who can make it to the release party 4/21 may want to wait … the first 77 get a bonus cassette and poster that evening when you buy a copy from the author. #merchandising
Thanks for supporting small presses and independent bookstores!
1977: imaginary backcover blurbs (3 of 3)
Like a wild drummer or your heart skipping a beat. Like a mind opening. Like howling at the moon or reliving apathy. Like old scars. Like a new tattoo.
Not so much a history lesson as a shout out to the future. An artist picking through what we discard to make it new.
Complexity alternately unravels and tangles with context. These poems embrace the risk of obscurity.
1977: imaginary backcover blurbs (2 of 3)
Razor-edge sharp and buzzsaw loud.
If you believe history is not chronological but rather cyclical, then you’re not puzzled by the notion that history repeats itself.
The word “blurb,” meaning short advertisement, was coined in 1907 by F G Burgess. No surprise another Burgess then blurbs.
1977: imaginary backcover blurbs (1 of 3)
Smashes history, both textbook and memory, into fragments and then reassembles it into an anti-chronological “narrative” (in quotes), this collage of memoir, charts and sampled text is tied together by the thinnest of threads for the reader to pull or be pulled by.
Taking nostalgia to its root in battle and sickness, the writer/illustrator challenges the notion that time that has passed between then and now.
If I had to sum this up in one word, I couldn’t.
Never Mind The Bullocks
I reviewed Never Mind The Bullocks Here’s The Sex Pistols (released by Virgin on Oct. 28, 1977) for The Chimes, the student newspaper at SUNY Morrisville, Feb. 13, 1978, edition.
Subs (a coda)
As my artist friend David says: “The internet is magic.”
The catalyst: “Gimme Your Heart” 45 by the Subs (Stiff Records 1978).
How it happened: 1) I posted a newspaper clipping my Grandma C sent me in the waning days of first-wave punk. It told the story of a punk band that saved a couple trapped in their car during a snowstorm. (See story here.)
2) David added a comment linking to the song “Gimme Your Heart” by the Subs, the punk band mentioned in the newspaper clipping.
3) David’s friend Mike added a comment linking to Discogs with the Subs record (shown above) for sale.
4) I bought the 45 (made in Scotland) off the internet that evening. It arrived about a week later.
The result: The internet is indeed magic!
1977: cover art
Fired up! Here’s the cover art for my next book 1977. Big thanks to my son Jack for another great design! Thanks too to Ravenna Press, who will be publishing the collection of drawings and poems this April.
1977 is about history and memory, about revising and forgetting. 1977 is about how I was a hippie and became a punk. 1977 is about the year I bought my first punk LPs at the House of Guitars. 1977 is about capturing that feeling we had.
Rocket To Russia
Three reasons why, released 40 years ago (Nov. 4, 1977), the Ramones’ third LP “Rocket To Russia” still matters:
- “Sheena Is A Punk Rocker“
- Cover photo by Danny Fields.
- Russia is still messing with us.