The Rebel redacted
a narrative that has already been written / and forms form / a belief in the finality of history

As part of finding the right tone and context for my punk history of 1977, I redacted a copy of The Rebel by Albert Camus (Vintage Books, 1956, 306 pp.), working on the project between 2014.07.01-2017.11.24. Many themes emerged aligned with the punk attitude of the 1970s as well as my later interest in anti-narrative and history (like the page above).

Burgess CHART London Calling

Mapping the British punk scene — influences and connections late-70s into the 80s — with The Clash at the center of the Universe (because that’s the way it was for me).

Chart from 1977: A Punk History coming from Ravenna Press (2018).

Burgess CHART NY NY

Influences and connections. Mapping the NYC punk scene from the mid-70s. Chart from 1977: A Punk History coming from Ravenna Press (2018).

Burgess CHART Release

40 years ago today I was bored. Listening to Blonde on Blonde (Visions of Johanna and Sad-Eyed Lady of the Lowlands) on repeat. Drinking beer. Working as a stock boy at a small-town department store. Reading Camus and Sartre. Writing poems no one read.